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Conclusion: Chaucer and the Reality of Change. A product of meticulous research and based on a wide range of works, genres, and disciplines, drawing together literature and history, Michael Harney offers new insights and fresh perspectives on the issues of race, caste, and indigeneity in Medieval Iberia. Lucid and provocative but dispassionate and evenhanded at the same time, this book is not just a welcome addition to the growing bibliography on travel and travellers, but also an essential and masterful contribution to the study of Medieval and Early Modern Hispanic literatures.

Focusing on themes of race, caste, and indigeneity in travel narratives, Harney explores this already internationalized world of latemedieval and early-modern Europe. By studying these texts together, Hazbun elicits cultural sophistication and nuance where previously we saw authorial single-mindedness and certitude. While material on the conquest of Spain is substantial, it is understudied and this book works to fill that gap. Games and Gaming in Medieval Literature Edited by Serina Patterson, University of British Columbia, Canada "This diverse and accessible collection takes on games and gaming in the European Middle Ages in various but complementary ways: by putting them in their historical context, by close readings of literary texts, and by bringing contemporary game theory to bear on the history of games.

Game theorists who have focused exclusively on games in the digital age will learn a good deal about their analog history. Games and Gaming in Medieval Literature is a fine contribution to cultural game theory. Chapters span from the twelfth to the sixteenth centuries, and cover England, France, Denmark, Poland, and Spain, re-examining medieval games in diverse social settings such as the church, court, and household.

Schrock, Lee University, USA "Schrock demonstrates how Augustine's understanding of time and approach to Scriptural interpretation opened up a profoundly creative space for human self-reflection in the Middle Ages. Combining criticism, philosophy, theology, and history in a dazzling piece of scholarship, Schrock's book functions as a moving piece of consolatory literature in its own right.

A very important book by an outstanding scholar.

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Irit Ruth Kleiman is to be congratulated for bringing a remarkable range of scholars and their subjects together into this imaginative, learned, and impressively coherent collection. This collection reveals how the philosophy, theology, and aesthetics of the voice inhabit some of the most canonical texts of the Middle Ages. Medieval writers such as Chaucer, Abelard, and Langland often overlaid personal story and sacred history to produce a distinct narrative form.

The first of its kind, this study traces this widely used narrative tradition to Augustine's two great histories: Confessions and City of God. Toswell, University of Western Ontario, Canada The Argentinian writer and poet Jorge Luis Borges was many things during his life, but what has gone largely unnoticed is that he was a medievalist, and his interest in Germanic medievalism was pervasive throughout his work. This study will consider the medieval elements in Borges creative work and shed new light on his poetry.

Robert S.

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Sturges overturns longstanding assumptions about the interpretive docility of medieval drama, proving its queer and queering potential in a series of stunningly original readings. Revitalizing the discussions on medieval drama, Sturges asserts that these dramas were often intended not to teach morality but to resist Christian authority.

Theater: Audience and Authority. A Study of The Castle of Perseverance Andrea Louise Young, University of Liverpool, UK "While recovering the experiences of individual spectators from this period is virtually impossible, Young's book draws on a wide range of evidence - the play text itself, the manuscript's staging diagram, modern 'historical' performances and the reviews they attracted, modern critical theory, practical experimentation, medieval art, and texts on optics and the theology of vision - to construct the dynamic of spectatorship which the play exploits.

This is an imaginative and sustained piece of analysis, underpinned by extensive reading. This coherent and persuasive study will appeal not only to Chaucerians but also to those working on patronage, cultural transmission, literary influence, gender, saints' lives, and European literature, among many other topics.

Alfred Thomas's connectivity with a range of ongoing debates is impressive. Rereading the Canterbury Tales, Thomas argues that Chaucer imagined Anne of Bohemia, wife of famed Richard II, as an ideal reader, an aspect that came to greatly affect his writing. The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.

The journal aims to develop a present-minded medieval studies in which contemporary events, issues, ideas, problems, objects, and texts serve as triggers for critical investigations of the Middle Ages. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination. The editors do not attempt an over-arching definition of a Puritan, but each individual chapter justifies its subject's claim to that title, building up a composite picture of a formidable godly femininity.

This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.

Politics and Political Culture in the Court Masque considers the interconnections of the masque and political culture. It examines how masques responded to political forces and voices beyond the court, and how masques explored the limits of political speech in the Jacobean and Caroline periods. Turkish History in Early Modern England Anders Ingram, National University of Ireland, UK Writing the Ottomans examines historical writing on the Turks in England from , tracing the evolution of this discourse and exploring its central authors, works, and contexts.

Larson, University of Toronto, Canada "Larson's book takes us into the virtual spaces of women's conversation In 16th and 17th-Century England conversation was an embodied act that held the capacity to negotiate, manipulate and transform social relationships.

Early Modern Women in Conversation illuminates the extent to which gender shaped conversational interaction and demonstrates the significance of conversation as a rhetorical practice for women. This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'. This is the first study to consider the relationship between private confessional rituals and memory across a range of early modern writers, including Edmund Spenser, Christopher Marlowe, William Shakespeare, and Robert Southwell.

Early Modern Authorship and Prose Continuations Adaptation and Ownership from Sidney to Richardson Natasha Simonova, University of Oxford, UK The first in-depth account of fictional sequels in the seventeenth and eighteenth centuries, this examines cases of prose fiction works being continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.

Samuel Richardson vs. Julius Caesar, Edgar, Caliban, Timon, Hamlet, Coriolanus, and Lucrece are Marlovian heroes who cross the Rubicon of social norms and positive law, becoming both more than man gods or god-like and less than man beasts. Establishing the classical and early modern outposts of the exception, especially in the writings of Lucan, Montaigne, Hobbes, and Erasmus, this compelling and original study models a humanist anti-humanism and a counter-classical classicism that takes shape in the exchanges linking antiquity's darker philosophers to the brutal, taciturn misfits of Shakespeare's tragedies.

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This book is characterized by a broad, fresh look at Shakespeare and his sources, an exultant sense of philosophical reach, and a refreshingly European orientation towards its material. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.

Shakespeare's Extremes is a controversial intervention in current critical debates on the status of the human in Shakespeare's work. By focusing on three flagrant cases of human exorbitance - Edgar, Caliban and Julius Caesar - this book seeks to limn out the domain of the human proper in Shakespeare. Wetmore Jr. Wetmore, Jr. Lori Leigh, Victoria University of Wellington, New Zealand Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.

Edited by R. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history. Locus Amoenus Or Locus Violens? Whose Nostalgia? Miranda Anderson, Edinburgh University, UK "The author displays a truly impressive knowledge of a variety of issues — from the Renaissance, Shakespeare, and the contemporary debate in cognitive science about the embodied and extended mind. Miranda Anderson is a Renaissance woman herself, able to read ancient debates in light of more recent ones… this book is aimed not just at literary theorists but also philosophers of mind and cognitive scientists.

It focuses on texts by Donne, Shakespeare, Spenser, and Wroth in particular, relating their forms of deixis to cultural and generic developments; but it also suggests parallels with both iconic and neglected texts from a range of later historical periods. Here Today and Gone Tomorrow? The Renaissance Extended Mind explores the parallels and contrasts between current philosophical notions of the mind as extended across brain, body and world, and analogous notions in literary, philosophical, and scientific texts circulating between the fifteenth century and early-seventeenth century.

Timothy W. The plays have been chosen for their relentless attention to the questions that were once and may sometime become, or be recognized as being, the heart and soul of politics.

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Ts Eliot Poems Christmas

The collection contributes not only to Milton studies but also to the history and theory of reading. Experimental, edgy, self-reflective, and wide-ranging in their critical conversations, these writers place Milton in newly framed pictures of a multiple and layered past. In doing so, they make the past speak to and about the resonant 'now' signaled by the title.

Ferguson, Distinguished Professor of English, University of California, Davis, USA By bringing together Milton specialists with other innovative early modern scholars, the collection aims to embrace and encourage a methodologically adventurous study of Milton's works, analyzing them both in relation to their own moment and their many ensuing contexts. Text, author, and reader form and inform each other in an ethical process, Rivlin and Huang suggest, that mutually constitutes subjectivity and ethical identity.

Individual essays productively disagree about the degree of power afforded to each point of this triangular relationship - text, author, reader - but communicate an urgent and compelling need for adaptors, readers, and viewers to reflect upon what 'Shakespeare' means in each of these context and to consider the social and ethical stakes of each of these positions. Edited by Katherine R. Miller, Smith College, USA "Every chapter here does its work in the overall collection, and the experience of reading the whole volume is breathtaking. The breadth of scholarship here and the meticulousness of individual studies drive home the truly revolutionary part that the critical reading of early modern women's writing has played in the past three decades.

Re-Reading Mary Wroth invites one to think expansively about the future direction and nature of the humanities broadly conceived, and locally about formal and expressive inflections in Wroth's writings, here newly explored to startling effect. The collection is a joy to read. Larson, Naomi J.

Monica Matei-Chesnoiu, Ovidius University, Romania "Space may have surpassed time as the dominant category on our minds, so it is most fitting that Monica Matei-Chesnoiu's book should make us aware of the history and historicity of spaces and places. Theatre-going will never be the same again for readers of this comprehensive and admirably rich study of geographical space in early modern drama, since they will ineluctably be drawn to reflections on rivers that flow over the stage, encircling and hugging the cities evoked in the dramatic dialog.

Gallen and University of Basel, Switzerland Geo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others. Conclusions: Staging Telemesic Space. Neema Parvini, University of Surrey, UK Shakespeare and Cognition challenges orthodox approaches to Shakespeare by using recent psychological findings about human decision-making to analyse the unique characters that populate his plays.

Atkins, G. Douglas

The Androgyne in Early Modern France Contextualizing the Power of Gender Marian Rothstein, Carthage College, USA "Rothstein has written a masterful pre-history of the woman sovereign who could also act as a man by tracing the enabling figure of the classical and biblical androgyne through multiple strands of Renaissance culture. A magnificent feat of sleuthing that uncovers unsuspected wealth behind a recurring motif, this work tackles a real problem and makes a much-needed intervention in the topic of early modern gender.

Written in confident and elegant prose, and laced with touches of wry humor, her book beautifully demonstrates how the Greek and Christian traditions continued to pollinate each other to create a surprising potential for action in the early modern world. This book documents and comments on the range of references to the androgyne in the writings of poets, philosophers, courtiers, and women in positions of political power. This book takes the first in-depth look at how people thought about, diagnosed and treated cancer in the early modern period, examining imaginative literature, medical texts and personal accounts.

What Was Cancer? A Feminist Literary History Edith Snook, University of New Brunswick, Fredericton, Canada "A masterful, eloquent, and convincing interpretation of the early modern culture of beauty which has vast implications for myriad areas of critical and historical interest beyond this topic alone. Uszkalo, University of Alberta, Canada Narratives of possession have survived in early English medical and philosophical treatises. Using ideas derived from cognitive science, this study moves through the stages of possession and exorcism to describe how the social, religious, and medical were internalized to create the varied manifestations of demon possession in early modern England.